Here are all of Reggatta De Blanc songs ranked. In 2003, Reggatta de Blanc was ranked at number 369 on Rolling Stone magazine’s list of the 500 greatest albums of all time. Pronunciation of Reggatta De Blanc with 1 audio pronunciations. It was the band’s second album to bear a Franglais title, after their 1978 debut album Outlandos d’Amour. Reggatta de Blanc proved more popular and successful than its predecessor. The title track earned the band their first Grammy Award for Best Rock Instrumental Performance. Rate the pronunciation difficulty of Reggatta De Blanc. The album’s title loosely translates in French to “White Reggae”. The music features the Police’s distinctive appropriation of reggae and frontman Sting’s Caribbean vocal inflections. In early 1980, the album was reissued in the United States on two 10″ discs, one album side per disc, and as a collector’s edition with a poster of the band. Reggatta de Blanc is the second studio album recorded by English-American Post-Punk/New Wave Music band The Police.It was released through A&M Records on 2 October 1979. It was the band’s first release to top the UK Albums Chart and features their first two UK number-one singles: “Message in a Bottle” and “Walking on the Moon”. I show that the resultant interplay among the various topics in such hybrid songs not only enriches the musical language, but also amplifies the song’s overall message.Reggatta de Blanc is the second studio album by English rock band the Police, released on 2 October 1979 by A&M Records. While some songs (such as “The Bed’s Too Big Without You”) remain true to the reggae style throughout, others (such as “Roxanne” and “Spirits in the Material World”) wrestle between two or more conflicting styles. Lacquer Cut By Tone ( tracks: B1 to B6) Photography By Back Cover Janette Beckman. Second, I demonstrate these topics at work through detailed analyses of selected individual tracks. Art Direction, Design Michael Ross (3) Engineer Nigel Gray. Taken together, this catalog of musical devices could be viewed as a kind of “Universe of Style” for the Police’s music. First, I identify a number of specific musical devices-or “topics,” after Leonard Ratner-each of which has come to be associated with a particular style or affect, either from within or outside of pop and rock. Reggatta De Blanc: mastered at Sheffield Lab Matrix, Interpol on label, shorter rim text Reggatta De Blanc: mastered at Sheffield Lab Matrix, rights society BIEM/STEMRA. Formed in London in 1977, a particularly turbulent year in the history of British pop, this groundbreaking trio-consisting of drummer Stewart Copeland, bassist, lead vocalist, and main composer Sting, and guitarist Andy Summers-fused elements of reggae, punk, prog, and jazz, among others, to create a hybrid style that was uniquely their own. Author(s): Mark Spicer (see profile) Date: 2010 Group(s): Society for Music Theory – Popular Music Interest Group Subject(s): Music theory, Popular music Item Type: Book chapter Tag(s): Popular Music Studies Permanent URL: Abstract: In this essay, I present a methodology for analyzing style in pop and rock that confronts the issue of stylistic eclecticism, focusing on a body of work that offers a particularly interesting case study in this regard, namely the music of the Police.
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